Telenovelas serve as a powerful communication tool. They communicate popular social issues, discuss current economic situations and bring people together through conversation. As a unique form of entertainment, telenovelas have a special influence around the world. As a person who has spent very little time watching and studying telenovelas prior to this class, I am struck by the current telenovela industry and its growth. I was completely unaware of the popularity and success of telenovelas and I’m excited to dive more into this genre of entertainment.
In one of our readings, the author states,
“The fact that telenovelas are able
to provide emotional relief to a continent burdened by enormous socioeconomic
and material hardships is not devoid of importance. Therefore, it is not
surprising that millions of Latin Americans sit in front of their (and others’)
television sets to escape the conundrums of daily existence for at least a
couple of hours each day” (Melodrama as Ambiguous Signifier: Latin American
Telenovelas).
This quote is compelling, for both its recognition of the
entertainment industry as well as its concern for the Latin American
population. In class we discussed how the telenovela originated in Cuba and how
production grew out of the cigar factories and later, the Cuban Revolution. To
me, I find it interesting that such creative and cultural stories sprung forth
out of the suffering and pain of a country. Whether a telenovela was created to
acknowledge current societal issues or to purely entertain or mock cultural
ideas, a telenovela is a unique expression of speech.
After living in the US for over 21 years now, when thinking
about the entertainment industry, I immediately think of reality television.
Reality television in the US is marketed primarily to women and it is not typically
based on a theme or current social issue, something that sets it apart from telenovelas.
Telenovelas serve a unique purpose–they entertain while also allowing the
viewers to connect with the characters. This relationship between the viewers
and the characters gives a telenovela the power it needs to become a dominating
and infiltrating work within society.
What fascinates me about the telenovela industry the most
though is the growth that can be seen over the past few years. Telenovelas have
developed and adapted with the changing times, meaning that their themes have changed
with the rise of new cultural ideas. For example, telenovelas about drug
cartels and homosexuality are common nowadays, whereas several years ago they
were not.
As we discussed in class, countries around the world compete
with each other to produce the most popular telenovela. In fact, it appears that
a country’s telenovela production serves as a great source of pride. Mexico, a
country that only watches their own telenovelas, is a perfect example. Generally,
though, and despite the competition and differing preferences among producers,
telenovelas have the ability to cross borders and address ideas and social
issues that not only apply to one country, but to humankind in general.
Below I have pulled three photos to represent the telenovela
titled, Betty la fea, a Colombian original.
Using humor as a central theme, Betty la
fea, has been very successful in many countries around the world. It’s a
great example of a popular telenovela that gained its success by having a simple
and relatable storyline with strong characters.
Below are three photos representing a few of the varying
versions of Betty la fea, each with a
unique twist to fit the particular country:
Colombia |
Overall, I find it interesting to see how a simple idea for
a telenovela evolved into an international favorite among viewers. In my
opinion, I think it is because the show doesn’t just address issues of a
particular culture, but rather it addresses and mocks issues affecting all of
mankind. Altogether, this illustrates the power and influence of the
telenovela.
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