I have been pleasantly entertained
while learning about production in telenovelas. From the beginning I picked
Avenida Brasil thanks to its production quality. You can easily tell the
Brazilians threw money at production like it grew on trees! It looks as though
it is Hollywood-quality cinematography, whereas most novelas look like I
could’ve made them with one of the JVC cameras we use for our packages in
journalism. Honestly speaking, the lack of good quality in telenovelas is what
would bore me of them and make me never want to watch them; I was biased and spoiled
for being accustomed to high-production quality TV shows from America. I have
noticed most of Telemundo’s new telenovelas are super high quality; therefore
really making me intrigued enough to want to watch those as well.
I also have really enjoyed learning
about the production standpoint of telenovelas because I also used to act. I was
signed with an agency in downtown Atlanta for TV, film, commercials and print
and I learned so much in my time there! It’s cool seeing the pictures and behind
the scenes videos and learning the terminology as well of the production staff,
(although in Spanish) all, or most, of these things are very familiar to me! Usually, I have not been on a set for
more than two days, so minute details such as fingernail polish color is not something
I usually had to think of! But when it comes to using booms, finding (very)
creative ways to hide a mic under the actors shirt, downtime between takes,
hair and makeup, etc. these are all things I have experienced as well! One
thing I would love to explore more after learning about production is seeing
behind the scenes on Escobar… after finding out that it is ALL filmed out of
studio, I was shocked as to how they could do something so difficult, specially
in a big city! It’s difficult enough to shoot in a studio, I cannot imagine out
of one for the entirety of a novela!
One main thing in my case as a digital
and broadcast journalism major is that I am learning about filming and editing
video (packages) too. This means that I need to keep in mind, when I am filming,
things like close-ups, emotion in the eyes, movement in the shots, movement
coming into and out of the shots, as well as frame-by-frame action and making
the close-ups, medium shots, and wide shots all match. This is all SO much to remember
when you are out there interviewing someone and they are regular everyday
people (NOT actors) and you cannot ask them to redo something a hundred times
until they get the shot right. You either got it or you didn’t! So in production
with a bunch of actors, you can have them turn, look, or do certain things
until production staff gets it right. I on the other hand am a one-man-band and
not only need to control video, but also BROLL, audio, lighting, natural sound,
AND conduct an interesting and newsworthy enough interview to get unscripted
answers… it is quite a lot! Because of this experience I am currently living
through, I am really getting a kick out seeing the way it is done in
telenovelas!
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